Passage series

Passage XIII (San Diego to San Francisco) has been selected for inclusion in Maryland Federation of Art's American Landscapes: Scenes from the Americas exhibition.

My long-running Passage series is a reflection on trips through storms, over mountains, deserts and water. Once twilight falls, humanity is represented by points of light that emanate from our homes, headlights and other anthropogenic beacons.

Robin Street-Morris. Passage XIII (San Diego to San Francisco). Transparent watercolor and soft pastel on 300lb cold press paper. 14” x 20” (36 x 51cm).

Robin Street-Morris. Passage I (Detroit to St. Louis). Transparent watercolor and soft pastel on 300lb hot press paper. 11” x 14” (28 x 36cm).

Robin Street-Morris. Passage II. Transparent watercolor and soft pastel on 300lb hot press paper. 9" x 13" (22 x 33cm).

Robin Street-Morris. Passage III. Transparent watercolor and soft pastel on 300lb hot press paper. 12” x 19” (30 x 48cm).

Robin Street-Morris. Passage IV. Transparent watercolor and soft pastel on 300lb hot press paper. 12” x 20” (30 x 51cm).

Robin Street-Morris. Passage V. Transparent watercolor and soft pastel on 300lb hot press paper. 14” x 20” (36 x 51cm).

Robin Street-Morris. Passage VI. Transparent watercolor and soft pastel on 300lb hot press paper. 14” x 20” (36 x 51cm).

Robin Street-Morris. Passage VII. Transparent watercolor and soft pastel on 300lb hot press paper. 15” x 19” (38 x 42cm).

Robin Street-Morris. Passage VIII. Transparent watercolor and soft pastel on 300lb hot press paper. 16" x 20" (41 x 51cm).

Robin Street-Morris. Passage IX (Victoria to Vancouver). Transparent watercolor and soft pastel on 300lb hot press paper. 12" x 19" (30 x 48cm).

Robin Street-Morris. Passage X (Homeward Through Mojave Wilderness). Transparent watercolor and soft pastel on 300lb hot press paper. 15" x 19" (38 x 48cm).

Robin Street-Morris. Passage XI (Comet with Venus). Transparent watercolor and soft pastel on 300lb cold press paper. 15" x 20" (38 x 51cm).

Waiting for rain

This is a piece I'd wanted to make since visiting San Miguel Island, part of Channel Island National Park. The dark creatures you see are dormant giant coreopsis that spring to life in late winter after some rain and produce bright yellow blossoms. I encountered a spring on my way up to this spot that is surely visited by San Miguel island foxes. It's a dream of mine to camp nearby and linger so I can see this subspecies of Urocyon littoralis, the last I'll be able to "catch" not having Navy clearance.

It's still funny to me in a not at all ha ha sort of way that some think southern California doesn't have seasons. It most definitely does. I'm always thinking about what's coming in and going out of bloom in the parks away from our airports and patches of green dominated by grass and palms. The "no seasons” mentality is a challenge because many who've moved here from elsewhere are sometimes quick to think that a native plant that looks tired during the summer is dead. Nope, they're just dormant in many cases. Would a Midwesterner chop down a maple in the winter just because it doesn't have green leaves? For the most part, no.

Waiting for Rain. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Egression

This is my latest mixed media painting that I'm pleased enough with to share here. I've noted that it's in my best interest to keep my inspirations to myself for relatability’s sake. That way viewers and potential patrons can see whatever places in my landscapes they wish. But… I have no business sense and I like to prattle on about my favorite places, so I will add that I made this piece after returning from Santa Cruz Island, part of Channel Islands National Park.

Robin Street-Morris. Egression. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Please click or tap on the image of the painting if you’d like to purchase a print.

Paintings inspired by Los Peñasquitos Canyon Preserve and Del Mar Mesa Preserve

I thought it was worth showcasing part of my ever-growing body of landscape art that celebrates views from the chaparral-covered mesas, hillsides and riparian corridors of Los Peñasquitos Canyon Preserve and Del Mar Mesa Preserve. These are unique and beautiful habitats that are becoming increasingly rare in San Diego County as shortsighted developers continue their attempts to level them.

These mixed media pieces were made by combining professional, transparent watercolor pigments and powdered soft pastels of the highest quality on 300lb Arches hot or cold press paper to imbue them with an ethereal, dream-like quality.

Los Peñasquitos Canyon XVII. 2019. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 15" x 19" (38 x 48cm).

Los Peñasquitos Canyon Preserve I. Watercolor and pastel on 300lb hot press paper.
14" x 19.75" (36 x 50cm).

Chaparral Path To Black Mountain I. Watercolor and pastel on 300lb hot press paper. 12" x 18" (31 x 46cm).

Afterglow. Watercolor and pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Crepuscule (Los Peñasquitos Canyon XIV)". Watercolor and soft pastel on 300lb cold press paper. 14" x 19" (36 x 48cm).

Los Peñasquitos Canyon VI. Watercolor and pastel on 300lb cold press paper.
14" x 19" (36 x 48cm).

Los Peñasquitos Canyon VII (Approaching Storm). Watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Los Peñasquitos Canyon with Black Mountain III. Watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 51cm).

Los Peñasquitos Canyon VIII (the Swallows Return). Watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Last Light with Moonrise over Iron Mountain. Watercolor and soft pastel on 300lb cold press paper. 14" x 19" (36 x 53cm

Los Peñasquitos Canyon IV. Watercolor and pastel on 300lb hot press paper.
12" x 16" (31 x 41cm).

Los Peñasquitos Canyon XI. Watercolor and soft pastel on 300lb hot press paper. 13" x 19" (33 x 48cm).

Los Peñasquitos Canyon XIII (Coastal Fog at Dawn). Watercolor and soft pastel on 300lb cold press paper. 14" x 19" (36 x 48cm).

Chaparral Path to Black Mountain II. Watercolor and soft pastel on 300lb cold press paper.
15" x 19" (38 x 48cm).

Coastal Preserve with Invasive Mustard Plant (Lopez Canyon I). Watercolor and pastel on 300lb hot press paper. 15" x 19" (38 x 48cm).

Departure (Crows at Dawn). Watercolor and soft pastel on 140lb cold press paper. 13" x 19" (33 x 48cm).

Asterism over Black Mountain. Watercolor and soft pastel on 300lb hot press paper. 14" x 21" (36 x 53cm).

Bank of Passing Clouds. Transparent watercolor and soft pastel on 300lb hot press paper. 15" x 20" (38 x 51cm).

Los Peñasquitos Canyon Preserve XII (Walking with Bats and Owls). Watercolor and soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Los Peñasquitos Canyon IX. Watercolor and soft pastel on 300lb cold press paper. 13" x 20" (33 x 51cm).

Westbound at Dawn. Watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 51cm).

Los Peñasquitos Canyon XV. Watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 51cm).

Crepuscule II. Transparent watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Waxing Moon with Chaparral and Power Lines. Watercolor and pastel on 300lb hot press paper.
8" x 16" (20 x 41cm).

Winter Storm (Mammatus Clouds over Black Mountain). Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Los Peñasquitos Canyon XVI. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14" x 20" (36 x 51cm).