Green Flash at Torrey Pines

Green Flash at Torrey Pines was selected for Vibrant San Diego, an exhibition of small artworks that will be on display at Artist & Craftsman Supply at 3804 Fourth Ave in the Hillcrest Neighborhood of San Diego September 1st through the 30th. The reception is Sunday, 9/1, from 2-4PM.

If you're local and able to stop by at some point, I recommend visits to nearby Crest Cafe and Babycakes; my favorites are Sam the Cooking Guy's Blueberry Biscuit Bundt French toast and the German chocolate cupcakes.   

Robin Street-Morris. Green Flash at Torrey Pines. Transparent watercolor and soft pastel on 300lb cold press paper. 5.5" x 8.5" (14 x 22cm).

Please click on the image of the art above if you're interested in purchasing a print.

A new piece and an exhibition announcement

My latest mixed media painting.

Empyreal Mist. 2021. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14" x 21" (36 x 53cm).

Juror Paul Glenshaw of the Smithsonian Institution selected two of my landscape paintings for inclusion in the 2021 Art on Paper exhibition at Maryland Federation of Art’s Circle Gallery in Annapolis, Maryland. This was one of those times when I found myself admiring every piece included in the show as I scrolled through the gallery of accepted work.

As is typically the case, the paintings I’ll be carefully matting and framing to send across the country were inspired by personal moments in nature.

Passage XI (Comet with Venus). 2020. Transparent watercolor and powdered soft pastel on 300lb cold press paper. 15" x 20" (38 x 51cm).

Sea of Fog with Green Flash. 2020. Transparent watercolor and powdered soft pastel on 300lb rough press paper. 14" x 19" (36 x 48cm).

Better late than never

Self-promotion is the dullest and most nauseating aspect of being a professional artist for me. If I were better at it, I’d have mentioned sooner that a mixed media painting of mine, Los Peñasquitos Canyon XI, was selected for inclusion in Into the Light, an exhibition at the Orange County Center for Contemporary Art in Santa Ana, California. Though the receptions have come and gone, this piece and many other fine works I’m proud to have mine hanging near will be on display through March, 28th 2020. It was inspired by an afternoon ramble through the magical tunnels of oaks, sycamores and understory in the nature preserve I live, work and play at being a naturalist within. I’m so dreadful at pretending to be the interesting, artsy type people want to get to know that I didn’t even put on my name tag at the first reception of the show and scurried back down the 5 to San Diego after quietly making two rounds of the gallery to enjoy everyone’s contributions. The second I missed because I was exhausted after a day of hiking with a heavy backpack of camera equipment at Torrey Pines State Natural Reserve while taking photos and picking up trash.

Los Peñasquitos Canyon XI. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 13” x 19” (33 x 48cm).

Two recent pieces inspired by our local preserves are more somber.  Manifest Destiny is my visual response to a nearby canyon finger being bulldozed for development.  While this had been the plan for a long time, hearing the destruction taking place from my home studio and then seeing how a once verdant section of chaparral had been flattened was distressing.  There doesn't seem to be enough destruction of habitat to fill our insatiable desire for expansion.  Had I not been a kid living many states away when our house was built, I'd very likely have been opposed to its creation where it is.  I've been doing my best to give the land outside of the structure's footprint back to the local wildlife by planting native flora it can use.  It's a joy to welcome all of the songbirds, raptors, insects, coyotes, snakes, bobcats, mule deer and others to the yard. 

Manifest Destiny. Transparent watercolor and powdered soft pastel on 300lb hot press paper. 14” x 20” (35 x 51cm).

Los Peñasquitos Canyon Preserve with Anthropogenic Starlight is an observation of our disappearing night skies.  The pervasive glow exemplifies humanity's exploitation of this small planet we share with other living things. Light from our collective restlessness has snuffed our views of the seemingly timeless wonder that is the Milky Way in all but the most rural areas that some of us are hell-bent on developing further. 

Los Penasquitos Canyon Preserve With Anthropogenic Starlight. Transparent watercolor and powdered soft pastel on 300lb cold press paper. 14” x 20” (35 x 51cm).

Less depressing is this recent piece inspired by a cloud-top green flash I was fortunate to witness in La Jolla by the Children’s Pool, a beach famous for its adorable harbor seals who often swim right up to me in nearby La Jolla Cove when I’m there snorkeling.

Sea of Fog with Green Flash. Transparent watercolor with powdered soft pastel on 300lb rough press paper. 14” x 19” (36 x 48cm).

As is most often the case, clicking on any of the above images of my landscape paintings will take you to a reputable art print service with a money back guarantee. If you’re interested in owning one of my originals, shoot me a message through the tab here that reads “Contact.” Thanks for supporting living artists.

—Robin Street-Morris