Bubo virginianus

The Stare (Owl Moon VI)

Halloween is a summer away, but any time of year is a good time for me to celebrate two of my favorite things: owls and the Moon. This is a long running series that I return to when I feel like it. I recently took note of the boxes of Prismacolor pencils in my studio closet that hadn’t been touched in years and thought why not? There are less used colors in there from high school (cringe).

While I obviously took a lot of artistic liberty with it, this mixed media piece was inspired by an actual owl encounter in Tecolote Canyon. If you live in San Diego, you may know that this lovely park is on the other side of the 5 from Mission Bay and Sea World. I plan on paying a pair there a visit today and seeing if I can’t find an owlet or two. They were definitely nesting when this male eyed me sternly.

Robin Street-Morris. The Stare (Owl Moon VI). Transparent watercolor, colored pencil and soft pastel on 300lb cold press paper. 13” x 13” (33 x 33 cm). Please click or tap on the image of the art if you’d like to own a print.

Robin Street-Morris. The Stare (Owl Moon VI). Transparent watercolor, colored pencil and soft pastel on 300lb cold press paper. 13” x 13” (33 x 33cm).

Please click or tap on the image of the art if you’d like to own a print.

Nature to the rescue

This isn’t the same pair of great horned owls as was shown mating in a recent post of mine. They also live in Los Peñasquitos Canyon Preserve here in San Diego about a mile west of the others, though I suppose they’re still slumming it in the eyes of some owls since they live east of the 5. Years ago, I was able to come to the conclusion that this isn’t the same pair as the other one by being present for their evening wake up routines at the same time on different days on multiple occasions. I'd not visited this pair in awhile. Their territory is farther from the house with a rockier walk up and out left to contend with in the dark which was done last night while listening to the hauntingly beautiful sound of howling coyotes. I also try to see the closer pair more often because I’d like to figure out where they choose to nest, if indeed they do, and if it’s in a spot I can observe without venturing off trail or onto private property.

We were fortunate to see this male sail silently over our heads and land in a distant tree where he began hooting to his mate. She flew out from deep in the woods along the creek to a spot in a bare California sycamore. They followed each other into inaccessible darkness after a brief duet.

This is the male great horned owl.  He has deeper hoots than she does.

This is the male great horned owl. He has deeper hoots than she does.

That’s the female.

That’s the female.

Zooming out, you can see them in their respective perches here.  I was shooting with a 100-400mm telephoto lens and keeping my distance from them so as not to impact their behavior.

Zooming out, you can see them in their respective perches here. I was shooting with a 100-400mm telephoto lens and keeping my distance from them so as not to impact their behavior.

It left with me.

It left with me.

With so little else open during this pandemic, our local preserves and state parks are getting even more trashed than usual. These spaces were set aside first and foremost to protect the remnants of what was here after people began bulldozing land for our sprawling homes, office parks and large scale agriculture. It’s possible to recreate in them and celebrate their beauty while treating them with respect, but that requires thinking about the consequences of our actions. Discarding plastic, cigarette butts and tearing up narrow trails made more fragile by winter rains and heavy fog threatens the plants and wildlife that live within these areas. They have no other homes to retreat to.

This wintry sunset in beautiful Los Peñasquitos Canyon Preserve required no editing in Photoshop.  Prints of this photograph may be purchased by clicking on the image.

This wintry sunset in beautiful Los Peñasquitos Canyon Preserve required no editing in Photoshop.

Prints of this photograph may be purchased by clicking on the image.

Happy New Year. Thanks for your continued emotional and financial support of living artists, any living artist. I’d say 2021 can’t be any worse than what we’ve just experienced, but entropy is clearly still a thing.

—Robin Street-Morris

Owl encounter

I’ve never seen a bird I didn’t like. That said, I do have my favorites and owls are among them. My first owl sighting was of a snowy in Michigan many years ago while traveling between Ann Arbor and Lansing to drop off some art at a show. That’s a particularly ethereal species that leaves a lasting impression. I was fortunate to see two more snowies near Kansas City during an irruption year. Great horned owls are similarly charismatic. I really got into watching them in St. Louis, first with the guidance of naturalist and friend Mark Glenshaw and then on my own. It’s a pursuit that followed me to San Diego where I’ve continued to seek out new pairs of this species and others. So far, I’ve seen many great horned owls, barn owls and western screech-owls in the preserves, burrowing owls at Ramona Grasslands and Mission Bay, and long-eared owls in Anza Borrego Desert State Park. The California spotted owl is my white whale and will likely require many more trips to the mountains if I’m ever to catch a glimpse of one.

The first pair of great horned owls I encountered in San Diego and made a point of visiting for years were (are, hopefully) in Tecolote Canyon Natural Park. Most of my sustained observations of particular pairs have been in Western Hills Neighborhood Park, Torrey Pines State Natural Reserve Extension and here in Los Peñasquitos Canyon Preserve. I’m aware of three pairs in the main canyon, but there are likely quite a few more given the density of quality habitat and abundance of prey. After checking on some plants in the canyon and picking up trash yesterday, I walked over to see if I could catch glimpses of the pair closest to my home. I heard them dueting deep in the live oaks over the bubbling of the creek. Eventually the female flew out and pinnacled on a California sycamore branch. She continued hooting back to him until he flew over to her to mate. She flew north out of sight shortly afterward with me being unable to reacquire her without trampling plants and wandering through people’s yards. Unlike some other pairs of these owls I’ve watched from the beginning of the nesting season to owlets going off to find their own territories, I’ve yet to see these birds nest. The winter rains arrive and the preserve closes due to dangerous flooding and to keep people off the trails that degrade very easily when they’re wet. Maybe some day I’ll get lucky. Even if I don’t, it’s comforting to know they’re there going about their lives in an area that’s been set aside for wildlife, rare native plants and us.

female great horned owl.jpg
male flying to the female great horned owl
mating great horned owls
mating great horned owls II
mating great horned owls III
female owl flying north
Riparian Fog at Dawn

Riparian Fog at Dawn

The above habitat is part of the owls’ territory and includes the tree they mated in. Prints of this photograph may be purchased by clicking on said image.

Musing over birds

Occasionally, I make paintings in response to memorable encounters I’ve had with particular birds while spending time in nature. My goal is to capture the essence of these moments in my art rather than document them.

Some of these pieces are available; please contact me if you’re interested. Prints of any of them may be purchased after clicking on an image. Thanks for supporting living artists.

—Robin Street-Morris

Barred Owl Moon. Transparent watercolor on 300lb cold press paper. 13" x 21" (33 x 53cm).

Barred Owl Moon. Transparent watercolor on 300lb cold press paper. 13" x 21" (33 x 53cm).

Qui Vive. Transparent watercolor and soft pastel on incised 300lb cold press paper. 9" x 14" (23 x 36cm).

Qui Vive. Transparent watercolor and soft pastel on incised 300lb cold press paper. 9" x 14" (23 x 36cm).

Torrey Pine Remains with Raven. Transparent watercolor on 300lb cold press paper. 12" x 17" (31 x 43cm).

Torrey Pine Remains with Raven. Transparent watercolor on 300lb cold press paper. 12" x 17" (31 x 43cm).

Little Owl. Transparent watercolor and powdered soft pastel on 300lb incised hot press paper. 9" x 14" (23 x 36cm).

Little Owl. Transparent watercolor and powdered soft pastel on 300lb incised hot press paper. 9" x 14" (23 x 36cm).

Reclamation (Santa Cruz Island Ravens). Transparent watercolor and powdered soft pastel on 300lb hot press paper. 13" x 19" (33 x 48cm).

Reclamation (Santa Cruz Island Ravens). Transparent watercolor and powdered soft pastel on 300lb hot press paper. 13" x 19" (33 x 48cm).

Crows Above Basilica. Transparent watercolor and soft pastel on 300lb hot press paper. 15" x 20" (38.10 x 50.80cm).

Crows Above Basilica. Transparent watercolor and soft pastel on 300lb hot press paper. 15" x 20" (38.10 x 50.80cm).

Oration. Transparent watercolor and soft pastel on 140lb cold press paper. 10" x 15" (25 x 38cm).

Oration. Transparent watercolor and soft pastel on 140lb cold press paper. 10" x 15" (25 x 38cm).

Los Peñasquitos Canyon VIII (the Swallows Return). Transparent watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Los Peñasquitos Canyon VIII (the Swallows Return). Transparent watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Raven Pair with Diurnal Moon. 2015. Transparent watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Raven Pair with Diurnal Moon. 2015. Transparent watercolor and soft pastel on 300lb cold press paper. 13" x 19" (33 x 48cm).

Ocean of Glass with Seabirds. Transparent watercolor and soft pastel on 300lb hot press paper. 13" x 20" (33 x 51cm).

Ocean of Glass with Seabirds. Transparent watercolor and soft pastel on 300lb hot press paper. 13" x 20" (33 x 51cm).

Raven with Torrey Pine Branch and Cold Moon. Transparent watercolor on 300lb cold press paper. 14" x 19" (36 x 48cm).

Raven with Torrey Pine Branch and Cold Moon. Transparent watercolor on 300lb cold press paper. 14" x 19" (36 x 48cm).

Unbounded (Crow Over Tijuana Estuary). Transparent watercolor with metallic gouache and soft pastel on 300lb cold press paper. 12" x 19" (30 x 48cm).

Unbounded (Crow Over Tijuana Estuary). Transparent watercolor with metallic gouache and soft pastel on 300lb cold press paper. 12" x 19" (30 x 48cm).

Canyon Denizen II (Great Horned Owl with Eucalyptus Branch). Transparent watercolor and soft pastel with iridescent medium on 300lb cold press paper. 12" x 18" (30 x 48cm).

Canyon Denizen II (Great Horned Owl with Eucalyptus Branch). Transparent watercolor and soft pastel with iridescent medium on 300lb cold press paper. 12" x 18" (30 x 48cm).

Departure (Crows at Dawn). Transparent watercolor and soft pastel on 140lb cold press paper. 13" x 19" (33 x 48cm).

Departure (Crows at Dawn). Transparent watercolor and soft pastel on 140lb cold press paper. 13" x 19" (33 x 48cm).

Nesting Great Horned Owl. Transparent watercolor on 300lb cold press paper. 12" x 21" (30 x 53cm).

Nesting Great Horned Owl. Transparent watercolor on 300lb cold press paper. 12" x 21" (30 x 53cm).

Sentinel (Great Horned Owl in Cottonwood Tree). Transparent watercolor on 300lb cold press paper. 16" x 21" (41 x 53cm).

Sentinel (Great Horned Owl in Cottonwood Tree). Transparent watercolor on 300lb cold press paper. 16" x 21" (41 x 53cm).

Pueo Encounter (at Haleakalā National Park). Transparent watercolor and soft pastel on 300lb hot press paper. 14" x 20" (36 x 51cm).

Pueo Encounter (at Haleakalā National Park). Transparent watercolor and soft pastel on 300lb hot press paper. 14" x 20" (36 x 51cm).

Three Birds and Evening Star. Transparent watercolor and soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Three Birds and Evening Star. Transparent watercolor and soft pastel on 300lb hot press paper. 14" x 19" (36 x 48cm).

Hunting Moon I (Great Horned Owl). Transparent watercolor and soft pastel on 140lb hot press paper. 8" x 13" (20 x 33cm)

Hunting Moon I (Great Horned Owl). Transparent watercolor and soft pastel on 140lb hot press paper. 8" x 13" (20 x 33cm)

Hunting Moon II. Transparent watercolor and soft pastel on 140lb hot press paper. 9" x 13" (23 x 33cm)

Hunting Moon II. Transparent watercolor and soft pastel on 140lb hot press paper. 9" x 13" (23 x 33cm)

Hunting Moon III (Great Horned Owl). Transparent watercolor and soft pastel on 300lb cold press paper. 9" x 14" (23 x 36cm).

Hunting Moon III (Great Horned Owl). Transparent watercolor and soft pastel on 300lb cold press paper. 9" x 14" (23 x 36cm).

Hunting Moon V (Great Horned Owl). Transparent watercolor on 300lb cold press paper. 13.5" x 20" (34 x 51cm).

Hunting Moon V (Great Horned Owl). Transparent watercolor on 300lb cold press paper. 13.5" x 20" (34 x 51cm).

Walking Among Barn Owls. Transparent watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 48cm).

Walking Among Barn Owls. Transparent watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 48cm).

Three birds

Two of these pieces are mixed media paintings, one a photograph. All are inspired by birds I’ve met recently while continuing to explore nearby Los Peñasquitos Canyon Preserve and Torrey Pines State Natural Reserve here in San Diego, California. Prints can be purchased by clicking on the individual images.

Walking Among Barn Owls. 2018. Transparent watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 48cm).

Walking Among Barn Owls. 2018. Transparent watercolor and soft pastel on 300lb cold press paper. 14" x 20" (36 x 48cm).

Raven with Torrey Pine Branch and Cold Moon. 2019. Transparent watercolor on 300lb cold press paper. 14" x 19" (36 x 48cm).

Raven with Torrey Pine Branch and Cold Moon. 2019. Transparent watercolor on 300lb cold press paper. 14" x 19" (36 x 48cm).

Great Horned Owl with Winter Moon II. 2018. Digital photograph.

Great Horned Owl with Winter Moon II. 2018. Digital photograph.